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Tunnel Motors Tote Bag featuring the digital art Tunnel Motors by Kerry Beverly

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Tunnel Motors Tote Bag

Kerry Beverly

by Kerry Beverly

$24.00

Size

Image Size

 
 

Product Details

Purchase a tote bag featuring the digital art "Tunnel Motors" by Kerry Beverly.   Our tote bags are made from soft, durable, poly-poplin fabric and include a 1" black strap for easy carrying on your shoulder.   All seams are double-stitched for added durability.   Each tote bag is machine-washable in cold water and is printed on both sides using the same image.

Design Details

Because of engine over heating in the Sierra Nevada rail tunnels the EMD's SD40-2 was redesigned to pull the cooler air from the bottom of the shaft... more

Ships Within

2 - 3 business days

Additional Products

Tunnel Motors Digital Art by Kerry Beverly

Digital Art

Tunnel Motors Canvas Print

Canvas Print

Tunnel Motors Framed Print

Framed Print

Tunnel Motors Art Print

Art Print

Tunnel Motors Poster

Poster

Tunnel Motors Metal Print

Metal Print

Tunnel Motors Acrylic Print

Acrylic Print

Tunnel Motors Wood Print

Wood Print

Tunnel Motors Greeting Card

Greeting Card

Tunnel Motors Throw Pillow

Throw Pillow

Tunnel Motors Tote Bag

Tote Bag

Tote Bag Tags

tote bags train tote bags emd tote bags sierra nevada tote bags sp tote bags southern pacific tote bags california tote bags

Digital Art Tags

digital art train digital art emd digital art sierra nevada digital art sp digital art southern pacific digital art california digital art

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Artist's Description

Because of engine over heating in the Sierra Nevada rail tunnels the EMD's SD40-2 was redesigned to pull the cooler air from the bottom of the shaft thus leaving the distinctive openings at the rear of the locomotive. This image is three somewhere near Cypress, Texas.

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$24.00