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Cool Galaxy S5 Case featuring the photograph Coolth by Kerry Beverly

Boundary: Bleed area may not be visible.

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Coolth Galaxy S5 Case

Kerry Beverly

by Kerry Beverly

$27.00

Model

Case Style

Orientation

Image Size

 
 

Product Details

Coolth Galaxy s5 case by Kerry Beverly.   Protect your Galaxy S5 with an impact-resistant, slim-profile, hard-shell case. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation. Simply snap the case onto your Galaxy S5 for instant protection and direct access to all of the phone's features!

Design Details

Grant Park, Chicago.

Ships Within

3 - 4 business days

Additional Products

Coolth Photograph by Kerry Beverly

Photograph

Coolth Canvas Print

Canvas Print

Coolth Framed Print

Framed Print

Coolth Art Print

Art Print

Coolth Poster

Poster

Coolth Metal Print

Metal Print

Coolth Acrylic Print

Acrylic Print

Coolth Wood Print

Wood Print

Coolth Greeting Card

Greeting Card

Coolth iPhone Case

iPhone Case

Coolth Throw Pillow

Throw Pillow

Coolth Tote Bag

Tote Bag

Galaxy Cases Tags

galaxy cases cool galaxy cases grant park galaxy cases chicago galaxy cases fountain galaxy cases coolth galaxy cases water galaxy cases spray galaxy cases art deco galaxy cases

Photograph Tags

photographs cool photos grant park photos chicago photos fountain photos coolth photos water photos spray photos art deco photos

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About Galaxy S5 Cases

Protect your Galaxy S5 with an impact-resistant, slim-profile, hard-shell case.   The image is printed directly onto the case and wrapped around the edges for a beautiful presentation.   Simply snap the case onto your Galaxy S5 for instant protection and direct access to all of the phone's features!

Back View

Angled Back View

Front View

Angled Front View

Side View

Artist's Description

Grant Park, Chicago.

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$27.00