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Pine Canvas Print featuring the digital art Pine Island by Kerry Beverly

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

16.00" x 9.00"

Overall:

16.00" x 9.00"

 

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Pine Island Canvas Print

Kerry Beverly

by Kerry Beverly

$89.00

Product Details

Pine Island canvas print by Kerry Beverly.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Along the Gulf coast prairie a group of trees, either natural or planted by man, may be referred to as an island. In this case a pine island.

Ships Within

3 - 4 business days

Additional Products

Pine Island Digital Art by Kerry Beverly

Digital Art

Pine Island Canvas Print

Canvas Print

Pine Island Framed Print

Framed Print

Pine Island Art Print

Art Print

Pine Island Poster

Poster

Pine Island Metal Print

Metal Print

Pine Island Acrylic Print

Acrylic Print

Pine Island Wood Print

Wood Print

Pine Island Throw Pillow

Throw Pillow

Pine Island Tote Bag

Tote Bag

Canvas Print Tags

canvas prints winter canvas prints tree canvas prints landscape canvas prints pine canvas prints island canvas prints pine island canvas prints texas canvas prints gulf coast canvas prints

Digital Art Tags

digital art winter digital art tree digital art landscape digital art pine digital art island digital art pine island digital art texas digital art gulf coast digital art

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Artist's Description

Along the Gulf coast prairie a group of trees, either natural or planted by man, may be referred to as an island. In this case a pine island.

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$89.00

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