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Thunderstorms Greeting Card featuring the digital art Brokeback Hills by Kerry Beverly

Boundary: Bleed area may not be visible.

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Brokeback Hills Greeting Card

Kerry Beverly

by Kerry Beverly

$4.95

Quantity

The more you buy... the more you save.

Orientation

Image Size

 
 

Product Details

Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Design Details

An evening with thunderstorms.

Ships Within

2 - 3 business days

Additional Products

Brokeback Hills Digital Art by Kerry Beverly

Digital Art

Brokeback Hills Canvas Print

Canvas Print

Brokeback Hills Framed Print

Framed Print

Brokeback Hills Art Print

Art Print

Brokeback Hills Poster

Poster

Brokeback Hills Metal Print

Metal Print

Brokeback Hills Acrylic Print

Acrylic Print

Brokeback Hills Wood Print

Wood Print

Brokeback Hills Greeting Card

Greeting Card

Brokeback Hills Tote Bag

Tote Bag

Greeting Card Tags

greeting cards mountain greeting cards thunderstorms greeting cards hills greeting cards mesa greeting cards southwest greeting cards

Digital Art Tags

digital art mountain digital art thunderstorms digital art hills digital art mesa digital art southwest digital art

Comments (2)

Lenore Senior

Lenore Senior

I love what you do in all your work and especially your landscapes. There is a simplicity and a kind of familiarity, yet other-worldliness in your work that is awesome. You see well! You both appreciate and enhance upon our natural world.

Artist's Description

An evening with thunderstorms.

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$4.95