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East Texas Art Print featuring the digital art East Texas Pine Cut by Kerry Beverly

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

16.00" x 10.50"

Overall:

18.00" x 12.50"

 

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East Texas Pine Cut Art Print

Kerry Beverly

by Kerry Beverly

$34.03

Product Details

East Texas Pine Cut art print by Kerry Beverly.   Our art prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired.

Design Details

The eastern third of Texas is mostly a pine forest. Many automobile roads cut through this area, but a railroad's narrower footprint highlights the... more

Ships Within

3 - 4 business days

Additional Products

East Texas Pine Cut Digital Art by Kerry Beverly

Digital Art

East Texas Pine Cut Canvas Print

Canvas Print

East Texas Pine Cut Framed Print

Framed Print

East Texas Pine Cut Art Print

Art Print

East Texas Pine Cut Poster

Poster

East Texas Pine Cut Metal Print

Metal Print

East Texas Pine Cut Acrylic Print

Acrylic Print

East Texas Pine Cut Wood Print

Wood Print

East Texas Pine Cut Throw Pillow

Throw Pillow

East Texas Pine Cut Tote Bag

Tote Bag

Art Print Tags

art prints east texas art prints texas art prints pine trees art prints railroad art prints pine forest art prints train track art prints

Digital Art Tags

digital art east texas digital art texas digital art pine trees digital art railroad digital art pine forest digital art train track digital art

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Artist's Description

The eastern third of Texas is mostly a pine forest. Many automobile roads cut through this area, but a railroad's narrower footprint highlights the forest's dark thickness.

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$34.03

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