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Landscape Poster featuring the painting Southwestern Scene by Kerry Beverly

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

12.00" x 7.50"

Overall:

14.00" x 9.50"

 

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Southwestern Scene Poster

Kerry Beverly

by Kerry Beverly

$37.35

Product Details

Southwestern Scene poster by Kerry Beverly.   Our posters are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All posters include a 1" white border around the image to allow for future framing and matting, if desired.

Design Details

A study of Maynard Dixon's Cattle Country

Ships Within

3 - 4 business days

Additional Products

Southwestern Scene Painting by Kerry Beverly

Painting

Southwestern Scene Canvas Print

Canvas Print

Southwestern Scene Framed Print

Framed Print

Southwestern Scene Art Print

Art Print

Southwestern Scene Poster

Poster

Southwestern Scene Metal Print

Metal Print

Southwestern Scene Acrylic Print

Acrylic Print

Southwestern Scene Wood Print

Wood Print

Southwestern Scene Greeting Card

Greeting Card

Southwestern Scene Zip Pouch

Zip Pouch

Southwestern Scene Weekender Tote Bag

Weekender Tote Bag

Southwestern Scene Coffee Mug

Coffee Mug

Southwestern Scene Spiral Notebook

Spiral Notebook

Poster Tags

posters mountain posters landscape posters horse posters study posters brown posters yellow posters blue posters purple posters horseback rider posters rider posters vivid colors posters southwest posters desert southwest posters

Painting Tags

paintings mountain paintings landscape paintings horse paintings study paintings brown paintings yellow paintings blue paintings purple paintings horseback rider paintings rider paintings vivid colors paintings southwest paintings desert southwest paintings

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Artist's Description

A study of Maynard Dixon's "Cattle Country"

About Kerry Beverly

Kerry Beverly

I was born. Since then I have scratched out drawings and daubed paint at a pretty regular pace. Kerry Beverly 1941 - 2019 Kerry Beverly described his painting as animist—with images seizing on the “pervading life and will in nature far outside modern limits.” He spurned formal training in technique and composition. Instead, he interposed his love of classic American cinema and photography to inform his art. With restless creative energy that embraced all forms—old and new—his substrates ranged from canvas to computer with mediums flowing from acrylic and charcoal to pixels. Quotation credit: Edward B Tylor, Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom, Volume 1

 

$37.35

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